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Indra’s wife Sachi was also known as Puloma, which is the name of an asura-woman suggesting entry of Lakshmi from the world of asuras into world of devas.Īs the Vedic gods waned into insignificance around the fifth century BC, two gods came to dominate the classical Hindu worldview: the world renouncing hermit-god Shiva and the world affirming warrior-god Vishnu. Within the Vedic pantheon, Lakshmi was linked with many gods, especially those associated with water bodies: Indra, the rain-god (bestower of fresh water) Varuna, the sea-god (source of all water) Soma, the moon-god (waxer and waner of tides). Separate shrines to Lakshmi within the precincts of Vishnu temples may have been built as early as the seventh century such shrines were definitely in existence by the 10th century AD. She became a favourite of kings as more and more people believed she was the bestower of power, wealth and sovereignty. Images of Lakshmi started appearing around the third century BC in sculptures found in Kausambi, in north India, and on coins issued during the reign of the Gupta dynasty around the fourth century AD. In north India, the two goddesses became one. In south India, the two goddesses were visualised as two different entities, standing on either side of Vishnu, Bhoodevi representing tangible wealth while Lakshmi or Shridevi representing intangible wealth. Prithvi, the Vedic earth-goddess, became Bhoodevi in the Puranas and a manifestation of Lakshmi. Lakshmi was visualised both as an independent goddess and as Vishnu’s consort, seated on his lap or at his feet. In them, the goddess came to be projected as one of the three primary forms of the supreme mother-goddess, the other two being Saraswati, the goddess of knowledge, and Kali or Durga, the goddess of power.
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The mythology of Lakshmi acquired full form in the Puranas, chronicles of gods, kings and sages that were compiled between 5 AD. In the Harivamsa, appendix to the Mahabharata, Manmatha, the god of love, lust and fertility, was described as her son. As folk heroes such as Rama and Krishna were viewed as incarnations of Vishnu, their consorts Sita, Radha and Rukmini became increasingly identified with Lakshmi. Gods and demons fought over her and both strove to churn her out of the ocean of milk. Stories of Lakshmi first appeared in the epics Ramayana and Mahabharta, that were composed between 300 BC and 300 AD, a period that witnessed the waning popularity of Vedic gods and the rise of gods who offered moksha such as Shiva and Vishnu. Just as the word ‘ aum’ is associated with the mystical side of life, the word ‘ shri’ is associated with the material side of existence. Ascetics are not addressed as Shriman as they have renounced worldly riches unmarried men and women are not addressed as Shriman and Shrimati as they are still in preparation for the householder’s life. Married men and women are addressed as Shriman and Shrimati as they have Lakshmi’s blessings to harness the wealth of the world to support family and sustain society. Whatever follows the word is imbued with divine blessing. When the word is spoken or written, an aura of holiness is established. The word evokes amongst other things: grace, affluence, abundance, auspiciousness, authority. Shri is written atop most documents and spoken before addressing a god, a teacher, a holy man or any revered individual. The popularity of Lakshmi can be gauged by the fact that her sacred name-Shri. Shri is the sacred sound of cosmic auspiciousness and abundance since Vedic times.
